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36 peghead

The Gramann Guitars

Built with the fingerpicker in mind, each of these instruments sings louder than than its size. The top braces on all are scalloped and the bridges are carved to be light to allow the top to respond quickly to both high and low notes. The saddles are tall allowing easy picking and a strong response to a soft touch. I am very proud of the sound from each of these guitars. The models are named after rivers in Virginia.  The bigger the guitar, the bigger the river.  Unless otherwise stated, the nuts on all of these instruments are 1 3/4" wide and the tops are Englemann spruce.  Prices start at $2300.  Exotic woods and cutaways cost more.

The Rappahannock
68 front
65 Osage Orange fustic 54 22 rosewood cutaway
75 Sycamore
68- Fustic back and sides,  Loud, rich, and responsive.  The separation of the notes that you hear with fustic and Osage Orange is pretty amazing.  65- Back and sides of Osage Orange.  Rich and loud.  

47 - Not pictured but like this one.  Great sound!  
54- Fustic back and sides.  Great sound. On display at Picker's Supply in Fredericksburg, VA






22-  East Indian Rosewood.
       1 11/16" nut
and below it:
75 - All domestic wood.  Sycamore back and sides, Alaskan Sitka top, Persimmon fingerboard and bridge (and pins).  Walnut trim.              

The Maury
This model is roughly the size of a dreadnaught.  The waist is a bit more pinched than a typical dread to remove the boominess that affects many dreads.
The Dreaded Maury
A true dreadnaught in size and shape.
27 Honduran Rosewood 35 eir 66 back
27- Honduran Rosewood.  This wood is often used for marimba keys.  The guitar has a rich, bright tone and a fast neck.  This one is on display at The House of Musical Traditions in Takoma Park, MD.  Listen to it here. 35-  About as nice as an East Indian Rosewood guitar can sound.

66 - Sapele back and sides, Sitka top. This one is a cannon!

The Deep Run
Very small with a big sound.
   
The Open Back Banjo
53 Deep Run ..........................
Banjo 71
53 - Black Locust,
1 13/16" nut
$1250

71 and 72 - 12" walnut block pot with integral maple tone ring.   Fiberskyn head, nice wide neck (1 7/16" nut).  Zoe Mulford plays one like this.  To me, it is the sound a banjo ought to make.  $1500

The James
These are jumbo bodies.  Each has the large deep sound you expect from a jumbo body and the richness you expect from one of my guitars.
The James Baritone

64 James James #61 67 James Baritone
64 - Englemann top, sycamore back and sides, maple neck.  Beautiful body, amazing sound.  Every sycamore guitar I have made sounds wonderful. 61- Englemann top, EIR back and sides.  The full sound you expect from a jumbo and the easy playability you expect from one of my guitars.   On display at The House of Musical Traditions in Takoma Park, MD. 67- Englemann top, Osage Orange back and sides, 27" scale.  Tuned a fourth below a normal guitar (from B to B).  Warm, full sound.

The York The Chesapeake Bass
63 york 73 York TheChesapeake Bass
63- Englemann top, East Indian Rosewood back and sides.  Amazing deep sound for such a small, comfortable body. 73- Englemann top, Osage Orange back and sides.  Great sound in an easy to play guitar.   1 13/16" nut 74- Fretless, full 34" scale.  Sitka top, Sycamore back and sides.  You will have a hard time finding a louder acoustic bass.  And, it sounds pretty nice.

Rapidan Classical
60 the Rapidan
32 classical
60-  Englemann top, Sapele back and sides.  A sweet guitar in a very playable size.  A lot of sound! 1 13/16" nut.  On display at The House of Musical Traditions in Takoma Park, MD.
32 Englemann spruce top, East Indian Rosewood back and sides

Bob Gramann

122 Laurel Avenue
Fredericksburg, VA 22408

(540) 898-0611
bob@bobgramann.com



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