Classical |
||||
157- The Colors. Osage Orange back and sides. Port Orford
Cedar top. Spanish Ceday neck. EIR fingerboard (16" radius)
and bridge. Sycamore trim. Gotoh tuners. French
polish finish. The bracing is an original diagonal design, kind of
a half-lattice. The Port Orford Cedar is stronger and lighter than
spruce. This one is loud with tighter treble sound than the
guitars to the right on this page. $3150 |
138 - Osage Orange Back and Sides. Cedar top, Spanish
Cedar neck. Macassar Ebony fingerboard. EIR
bridge. Black Walnut trim. Sloan tuners. French Polish
finish. The bracing pattern is based on a 1923 Classical
guitar by Santos Hernandez. I have been on the quest for a great sounding classical guitar for years. I'm getting closer and closer. This is the best so far. The trebles are strong and penetrating, but the guitar still has a warm, full strum. The action is low and quick. It definitely has a strong voice. $3350 |
141 - Another based on the 1923 classical by Santos
Hernandez. This one has all American woods--Osage Orange
back and sides, fingerboard, and bridge, Black Cherry neck, Black
Walnut trim. The fingerboard has a 16" radius. French
polish finish. Rubner tuners. Brilliant trebles and it
plays nicely. $3350 |
32 - Engelmann top, East Indian Rosewood back and sides.
2" nut. It has modified fan bracing with a curved harmonic
bar and 5 struts. The sound is balanced and it plays
well. The finish is standard french polish. $2000 |