Handmade Guitars by Bob Gramann

 It's about the sound.

Bob Gramann Guitarmaker

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I've been playing guitar for over 40 years. I first built a guitar in 1992 from a kit. The result was so satisfying that I had to build another, and then another, and so on... Now I'm constantly watching out for neat wood to make into guitars. My delight in the results of careful thinning, bending, and finishing fine woods has grown with every guitar.

Most important is achieving such a rich, full sound that it is loud enough for performances without amplification. Amazingly, even tiny adjustments can enhance both tone and volume, producing a responsive instrument that feels good to play. Building these "live" guitars has become almost an obsession. Any idea for a new feature or an improvement means I have to build a guitar to try it out. I build only a few instruments each year, so I have always tried to build something I would want to play. So far, I feel successful. And, I feel honored by the great players that have bought my instruments.

For some time, there has been a buzz among luthiers that Osage Orange (and its South American relative Fustic) is a sound-alike replacement for Brazilian Rosewood.   I have now built a few guitars with this wood and make the claim that it sounds better.  These guitars have a  well-balanced and rich tone.  Because of the rarity of this wood in guitar sized chuncks, and because of the difficulty in working it, I charge a little more for these guitars.

I have decided to name my guitar models after rivers in Virginia to make them easier to discuss.  

Currently, I have these guitars available for sale.  Prices start at $2300.  Cutaways, fancy trim, and exotic woods cost more.  But, don't let the price scare you away.  I have a small number of these instruments that I am quite willing to bargain on.   

Tom Russ, who owns one of my guitars, wrote a book about playing and comparing guitars Four Guitars (More or Less).  It's a good read for someone who enjoys fine guitars.  

Rappahannock

The Rapphannock has a body size very close to a Martin OM/000.  Scale length, nut width, and body depth can be customized.  It is available with or without a cutaway. This is currently my favorite size to play.  It gives a rich tone with good projection and is not so large that it is difficult to reach around.    These are great sounding guitars.  All listed below have a 24.9" scale
East Indian Rosewood (#22) (1 11/16” nut)cutaway
Osage Orange Cutaway (#47)  (1 3/4" nut)
Fustic Cutaway (#54)  (1 3/4" nut) (On display at Picker's Supply in Fredericksburg, VA)
Osage Orange Cutaway (#65)  (1 3/4" nut)  -- What a tremendous sound!
Fustic (#68) (1 3/4" nut) --  Of all that I have ever built, this model is my favorite.  I kept one (#36) for myself.
Osage Orange Lefty Cutaway (#70) (1 3/4" nut) Sold, but I can make another.
Sycamore (#75)
(1 3/4" nut) --All domestic wood:  Alaskan Sitka top, Virginian Sycamore back and sides, Persimmon fingerboard and bridge (and pins), Black Walnut trim (including tuner buttons).

York
The York has a classical body size.  The sound of these is amazing given the size.
East Indian Rosewood Cutaway  (#63)  (1 3/4" nut)
Osage Orange (#73)  
(1 13/16" nut) 

Rapidan
The Rapidan is similar in size to a Martin size 0.  The amount of sound that comes out of this guitar is amazing.  
Sapele
(1 13/16" nut)   (On display at The House of Musical Traditions in Takoma Park, MD.)

Maury
The Maury is size of a Martin dreadnought except that the waist is pulled in to make the notes sound more clearly.  Both of these have a 25.4" scale.
East Indian Rosewood dreadsized guitar (#35)
(1¾ nut)  as good as an EIR guitar can sound
Honduran Rosewood with Florentine cutaway (#27) (1¾ nut)  (On display at The House of Musical Traditions in Takoma Park, MD.   Hear it.)

Dreaded Maury
A True Dreadnaught
Picked notes pop right out 
Sapele (#66) (1 3/4" nut)

James

The James is the largest guitar I make.  It has a jumbo body 16.25" across at the lower bout.  These have a 25.4 scale length.  You expect a big sound out of these guitars and you get it.
East Indian Rosewood Cutaway (#61)    (1 3/4" nut)  (On display at The House of Musical Traditions in Takoma Park, MD.)
Sycamore Cutaway (#64) (1 3/4" nut)

James Baritone
Osage Orange Cutaway (#67) (1 3/4" nut) What a warm sound!

The Chesapeake Bass
Sycamore (#74)  A fretless acoustic bass guitar.  This one is amazingly loud for an acoustic bass guitar--it rivals an upright for volume and might be too loud when played with a pick.  A K&K Pure Bass pickup is installed. The insturment has a full 34" scale and plays very nicely.

Deep Run
The Deep Run is a very small guitar with a tremendous sound.  It has a full 24.9" scale.  These sell for $1250 and include a small gig bag
Black Locust (#53 and 57) (1 13/16" nut)
Black Locust (#56)  
 (1 3/4" nut)

Classical
East Indian Rosewood, Englemann spruce top  (#32)

Open Back Banjo
12" walnut pot with integral maple tone ring, wide neck (#71 and 72)  ($1500)
 

Each has a pleasant feel for the player and a big, full-toned sound. Prices start at $2300.

Bob Gramann
122 Laurel Avenue
Fredericksburg, VA 22408

(540) 898-0611
bob@bobgramann.com


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